Abstract
What
a dichotomy: Folk and non-folk! Loukika fact has become aloukika fiction
and vise versa. The folk and tribe are colonially (either internal or external)
created categories that surrogate history and physiology and metanarratives born.
Reporting of academic tribes helps governmentality. Docile bodies are
penetrated with anatomo-bio-political tools of disciplinary technology. The differance
between folk-art/songs/plays and classical -art/songs/plays has become blurred
if the nature of sponsorship is considered. Thus political economy of such
dividing practices (folk and non-folk, tribe and non-tribe) was also investigated.
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