Debaprasad Bandyopadhyay *
^ দেবপ্রসাদ বন্দ্যোপাধ্যায়
ABSTRACT
If governance of the
docile body is explored in the Crippled Creativity hypothesis, here is a regulative/ strategic principle to bypass human malleability…..
It’s not modern anatomo-clinical gaze,
but a different perception of body……
A different construct…..
Body is categorized to attain mahaasukha, jouissance …
The taxonomy
of body is checked in the architecture of the Konark Sun Temple……
Caryapadkaras
and Lanon were consulted along with
Bhartrihari and Abhinavagupta to make out the corporeal taxonomy….
I
In case of interpreting the Konark sun temple’s
architecture (Orissa, India), there are two divergent as well as antithetical
views. Nirmal kumar Bose (1926, 1932) interpreted the outer body of this temple
and Stella Kramrisch (1946) was searching the inner body. The main point of
their disagreement might be posed as : Were the bodies of the Hindu temples
constructed on the basis of physiological corporeal or meta- physiological
conjecture of body? Bose reviewed Kramrisch’s book (1947) and alleged that
Stella was too metaphysical and illiterate artisans are ignorant about the
intricacies of the inner body as they did not have the access to the scriptures.
However, Mira Mukherjee(1993) showed the path when she introduced so-called
illiterate sons of Visvakarma. The author of this paper showed the evidences of
inner corporeal of the temple-architecture by re-surveying the temple and
taking cue from sub-altern artisans’ world-views as well as from
Mandukyoponisad, Vakyapadiya and Tantraloka.
The
so-called metaphysical body is evident in the so-called “Hindu” architecture.
The bisuddha-baikhari-jagrat (falsest), anahata-madhyama (speaking
when dreaming) -svapna (falser), manipura-pasyanti-susupti
(falsest) association might be established with many sadhaniya margas.
Kavir, Dadu, Lalon, Rabindranath (though they were not writers of papers in
academic journals) and other sahajiyas with the authors of Mandukyoponisad,
Vakyapadiya and Tantraloka can be consulted to attain the level
of paravak. Why then was I fragmenting brittle baikhari, when I
was waking up?
II
This dialogic paper on kalkut’s (Samaresh Basu) two novels
was related to Konark ‘ s sun temple . These two novels ( nirjan saikate,
“lonely seashore”, 1961 revised version,1972 and Samba, “Son of Krishna, a
mythical character”, 1977/78, Academy –winner novel) were two types of
travelogues—first one was a physical travel from Puri Jagannath temple to
Konark with five widows and the second one was a mental travel to the Sun
temple. In the first one, Kalkut as a narrator highly criticized the position
of Nirmal kumar Basu (Anthropologist) in describing the intricacies of the
temple architecture and in the second one was on the mental journey to the
distant past through retrospection, that was for the cure/care of self within
the ambit of act-pleasure-desire. Not only that, indigenous leprosy-treatment
or healing system within the area of the Konark-site was also elaborated, thus
the relationship between human –corporeal and the nature (including celestial
sphere, flora and fauna etc. ) was also depicted.
The author of this paper was concerned with the ambivalence (schizophrenic Kalkut? Samaresh Basu with divided selves?) of Samaresh Basu, the vulgar “Marxist” (cf. Godelier’s Marxist Anthropology), who was retrenched from the vulgar communist party for his allegedly “vulgar”(?) novels and short stories another one was “Kalkut”, his penname, a vagabond, who was searching the indigenous tradition through tedious journey—a type of either physical or mental/imagined vagabondage. Like Stella Kramrisch (1946), he was interested in tantra, but he tried his best to hide this fact for the sake of so-called vulgar materialism (which was a fashion in those days) as it was practiced by the corporate-controlled “official” communist party, who were using jargons, which were not used (historical/dialectical materialism etc.) by Marx himself; secondly, the secrets of such practices (sadhana) were not to be revealed to everyone. Therefore, Kankut consciously hided secrets of tantrasadhana. However, the author of this paper, by deploying discourse analysis (Foucalidian) found the cleavages within the texts of Kalkut—he repeatedly used the word “breathing”( a key-term in Tantra) and its synonyms for the care of self. The author of the paper also found a connection with Buddhist tantric cult (especially Caryapada, cf. In Search of Linguistics of Silence : Caryapada চর্যা-চর্চায় নীরবতার ভাষাতত্ত্ব সন্ধান : উপক্রমনিকা and “The Movement Within: A Secret Guide To Esoteric Kayaasadhanaa: Caryaapada”.) with the narrator’s enunciation as in the first novel five widows represented the five female characters as it was found in Caryapada-text.
The author of this paper lastly related his hypothesis of Yayati/Bubur Complexes (cf. “হে প্রণম্য পিতৃদেব, তুমি তো বন্ধু নও/হও” (Yayati and Babur Complex).)with Samba’s life as Samba was cursed by his father Krishna as Samba was caressing with aged Krishna’s young girlfriends. Thus, the author’s Yayati complex hypothesis was again subscribed by the purana as reinterpreted by Kalkut. The inner-outer structure controversy as depicted in . Architectural Description of Konark Sun-Temple "কোনারকের বিবরণ" কিতাবের সমালোচনা" was resolved here by a poem written by Bishnu De, who was highly influenced by T.S. Eliot.
The author of this paper was concerned with the ambivalence (schizophrenic Kalkut? Samaresh Basu with divided selves?) of Samaresh Basu, the vulgar “Marxist” (cf. Godelier’s Marxist Anthropology), who was retrenched from the vulgar communist party for his allegedly “vulgar”(?) novels and short stories another one was “Kalkut”, his penname, a vagabond, who was searching the indigenous tradition through tedious journey—a type of either physical or mental/imagined vagabondage. Like Stella Kramrisch (1946), he was interested in tantra, but he tried his best to hide this fact for the sake of so-called vulgar materialism (which was a fashion in those days) as it was practiced by the corporate-controlled “official” communist party, who were using jargons, which were not used (historical/dialectical materialism etc.) by Marx himself; secondly, the secrets of such practices (sadhana) were not to be revealed to everyone. Therefore, Kankut consciously hided secrets of tantrasadhana. However, the author of this paper, by deploying discourse analysis (Foucalidian) found the cleavages within the texts of Kalkut—he repeatedly used the word “breathing”( a key-term in Tantra) and its synonyms for the care of self. The author of the paper also found a connection with Buddhist tantric cult (especially Caryapada, cf. In Search of Linguistics of Silence : Caryapada চর্যা-চর্চায় নীরবতার ভাষাতত্ত্ব সন্ধান : উপক্রমনিকা and “The Movement Within: A Secret Guide To Esoteric Kayaasadhanaa: Caryaapada”.) with the narrator’s enunciation as in the first novel five widows represented the five female characters as it was found in Caryapada-text.
The author of this paper lastly related his hypothesis of Yayati/Bubur Complexes (cf. “হে প্রণম্য পিতৃদেব, তুমি তো বন্ধু নও/হও” (Yayati and Babur Complex).)with Samba’s life as Samba was cursed by his father Krishna as Samba was caressing with aged Krishna’s young girlfriends. Thus, the author’s Yayati complex hypothesis was again subscribed by the purana as reinterpreted by Kalkut. The inner-outer structure controversy as depicted in . Architectural Description of Konark Sun-Temple "কোনারকের বিবরণ" কিতাবের সমালোচনা" was resolved here by a poem written by Bishnu De, who was highly influenced by T.S. Eliot.
III
In Search of
Linguistics of Silence : Caryapada চর্যা-চর্চায় নীরবতার ভাষাতত্ত্ব সন্ধান : উপক্রমনিকা
and “The Movement
Within: A Secret Guide To Esoteric Kayaasadhanaa: Caryaapada”.
The
author of this paper did not bother about the (a)formal linguistic analysis
(meta-speaking on speaking, i.e. formal linguistics and philology) of the text
of Caryapada (approx. 9th C A.D. A Tantric Buddhist text written in a sandhyabhasa
or anti-language a la Halliday); (b) retrospective (pratyabhijna) construction
of genealogical fantasy or linguistic statist identity or imagiNATION, instead
he was proposing a secret guide to exquisite kayasadhana (the praxis within the
body within the ambit of corporal studies)by following the path of Bhartrihari
and Abhinavagupta’s post-formal non-analysis. The author followed Munidatta’s
Sanskrit commentary of the Caryapada-text (written in an anti-language to hide
the secrets of physiological (not in the Western medical sense of the term)
points that is shaped and perceived by the world views of the so-called lower
caste Tantric Buddhists)and that was commented in Sanskrit by Munidutta. This
reciprocal discourse-exchange bi-way traffic) in between so-called H(igh)and
L(ow) was also being observed by the author.
The paper ironically started with the salutation to the contemporary interpreters of the said text, though the author said that they are missing the world-views of the Tantric Buddhists as the contemporary scholar-interpreters did not link the perceptions of Tantric kayasadhana that is meant for ‘care of self’ (epimelia heatue). Only Shashibhusan Dasgupta (1969) discovered the secrets of the kaya(corporeal). Thus, the scholarship was condemned by the Caryapada-composers, who were considered to be ‘illiterate’ according the norms of literacy. Dasgupta(ibid) thus described the “illiterates’”(?) aversion to the recondite scholarship.
After that the author elaborated the rhetoric-terms (utpreksa/metaphor, comparison in general, vyaja/ having only appearance of, deceitful, false, simulated..) used by Munidutta to explain the surplus meanings of the texts. Even the author supplied the architectural details of Kakhar (female-shaped shrines) temples (Orissa) to explain the boat-utpreksa as used in Caryapada. Lastly, the author had linked the cakras (so-called Hindu and Buddhist systems were amalgamated here—a case of syncretism) with different stages of speeches/non-speeches (a trajectory from parole to silenceme) and sleeping/non-sleeping to reach the point of “vakpathatia” (cf. caryapada, 37 a cordoned zone of silenceme or paravak) in a tabular form with illustration. One point must be noted: the authors selfhood as a scientist was condemned here by the author himself as he criticized (a) the recent neuro-physicists’ anatomo-bio-political intervention into in body of the sadhakas/ practitioners; (b) the gap between theory and praxis as it was found in recondite scholarship. Thus the paper was an addition to the author’s agenda of introducing two novel disciplinary technologies: Silence and Corporeal studies.
IV
The
author, as a member of linguist community, of this paper had tried decipher one
song of Fakir Lalon Shah (1774–1890 A.D.), one of the line of which is like
this “ When silence would swallow non-silence” by deploying various methods of Mandyukoponisad, Bhatrihari’s three
stages of languages (baikhari, madhyma, pasyanti) and Abhinavagupta’s paravak.
Different body-parts, according to Tantrika world-views, were also illustrated
to understand silenceme. The author
also incorporated Kabir (1440–1518 A.D.) and Dadu’s (1544–1603 A.D.)
epistemological concepts of silenceme, which were
beyond the periphery of ‘modern’ linguistics, though physicists are now
interested to know the brain-function of such meditative states by using SPECT
and PET scan as a part of their anatomo-bio-political agenda. The author
ultimately proposed a new disciplinary technology, called “Silence Studies”. In this
case, John Cage’s musical compositions deeply influenced the author.
For detailed discussion, kindly follow
hyperlinks (blue-colored titles)
·
2014. “The
Movement Within: A Secret Guide To Esoteric Kayaasadhanaa: Caryaapada”.
Journal of Bengali Studies, Vol.3 No.1. (pp. 113-27) ISSN# 2277-9426 Download (.pdf)
·
2013. “চর্যা-চর্চায় নীরবতার ভাষাতত্ত্ব সন্ধান”[In Search of Linguistics of Silence :
Caryapada]. Pranab K. Chakroborty ed. Interaction VIII. (pp.23-31) Nabadwip, West Bengal. India. ISSN 2277-4335 Download (.pdf)
·
2011. “Architectural
Description of Konark Sun-Temple "কোনারকের বিবরণ" কিতাবের সমালোচনা". Review Article : “konaraker bibaran by Nirmal Kumar Basu” (Ed. Prasenjit Dasgupta,
Somyen Pal 2009). Bandyopadhyay, Sumahan Loukik.
IV:1-2 (pp.111-121). ISSN 2230-780X Full Version of The Review published in
Sen, Ashok ed. Baromas. (2009) Vol.31. (pp.286-88) Download (.pdf)
·
2011. “An
Interview with Debaprasad Bandyopadhyay on The Psychology of Silence: The Story
of Bharat.”Diaforia, No. 5, July
2011. Italy. Download (.pdf)
· 2011. “কালকুটের কায়াসাধনা (Kalkut’s Corporeal Studies)” Sadhana Barua ed. Sabda. III:3 (pp.154-62)
Download (.pdf)
·
2011. “বাতিল ঘোড়ার পোক্ত হাড়মাস” [The firm
Skeleton of Abandoned Horse] Basu, Pathik ed.
বার্ধক্যResurrection
of Geron. Kolkata: Shrayan. (pp. 20-34) Download (.pdf)
·
2011. “আ মরণ! মরণ রে...”[On Euthanasia]. চট্টোপাধ্যায়, সুমন সম্পা.একদিন।১৮/০৩/২০১১ (Editorial Pg. 4) 4:278, Kolkata. RNI: WBBEN/2006/
17404 Download (.pdf)
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2011. "কেন এই হিংস্রতার উদ্ভাস?" [Why Violence?]চট্টোপাধ্যায়, সুমন সম্পা.একদিন।Ekdin Bangla Daily. ২০/০১/২০১১ (Editorial
Pg. 4) 4:222, Kolkata. RNI: WBBEN/2006/ 17404 Download (.pdf)
·
2009. “নীরবতার না- ভাষাতত্ত্ব: লালনে
(Non-Linguistics of Silenceme: Lalon)”Shaktinath Jha ed. Ocin pakhi. Lalon saMrokgrontho. Vol.XX.
Nadia, West Bengal Lalon Mela Samiti. (pp. 16-24). Revised version: 2012. ei
nisOrgo pOtro. I:1 (pp. 9-16) Download (.pdf)
·
2009. “কামনা, শৃঙ্গার, নচিকেত অভিযাত্রা --কৈশোরেই Adolescence
and Sexuality” (Adolescence and Sexuality)”. Koisor:Understanding Ephebe. Ed. Basu,
Pathik. Kolkata: Shrayan. (pp. 102-37) Download (.pdf)
·
2008. “বিশ্ব সাথে 'যোগ' -বিহার ”.
[Travelling With The Universe] Bektitto,
Somiti, Santobiplab. [Personality, Horizontal Praxis and peaceful
Revolution] Ed. Basu, Pathik. Kolkata: Shrayan. (pp.188-223)
Download (.pdf)
·
2007. “জেগে বা ঘুমিয়ে--'ভারতীয়' দর্শনে” (Hanging between Sleeping and Waking
-- ‘Indian' Philosophy). Tepantar
.Vol. V (pp.141-66) Kolkata: Sanhati. Download (.pdf)
·
2006. “The
Pre-Colonial Imagined Boundaries.” Adhir
Chakroborty Memorial Lecture. Centre for Archaeological Training and Research.
Govt. of W.B. Download (.pdf)
·
2004. “ঝাড় খেলে আত্মা তৈরি হয়.”[Construction of Specter Due To
Outside Violence]. Shil, Bikas ed.
Janapadproyas. Jyotirindra Nandi issue. VI:3 (pp. 86-88) R.N. 09691/97. Download (.pdf)
·
2002. “Soul’d
in and out: Representation of Body, No-Body in the Hindu Philosophy.” From the Margins. (pp. 182-202). Kolkata. Download (.pdf)
·
2001. “Glocal Hyperreal
and the Sad Demise of the Corporeal: An Obituary” Download (.pdf) National Seminar
on Food security in India.
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