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Monday, 21 July 2014

THE CONCEPT OF ERROR (KHYATI) IN MAD-(WO)MEN’S LANGUAGE




Debaprasad Bandyopadhyay *

^ দেবপ্রসাদ বন্দ্যোপাধ্যায়


ABSTRACT

How do we distinguish between error and non-error, when we are talking about normal and natural language? Well-formed syntagms are used as examples in the syntactic analysis. That is sanity. Let us suffer severe insanity to understand at least at the dream stage of madhyama. It is a pity that I cannot distinguish between sleeping and waking, sanity and insanity, normal and abnormal language…

This project problematizes the linguists’ dividing practice between “normal” well-formed sentences (Chomskian position) and ‘abnormal’ speaking/writing following Foucauldian path and taking cue from Indian philosophical concept of “khyati”. The problem-question is: ‘How do we know the differences between ‘norm’-al way of speaking and ‘ab’-normal way of speaking?’ Cartesian biolinguistics analyzed the algorithm of ‘normal’ ‘well-formed’ sentences only. This very construction of ‘natural language’ (e.g., the well-constructed written sentences) mercilessly marginalizes the language of so-called non-‘natural’ madness or folly. This question might be elaborated further by taking cue from Indian Philosophy : how do we distinguish between error (khyati) and non-error (akhyati), when we are talking about normal and natural language? “Well-formed” syntagms are used as examples in the Chomskian syntactic analysis, where there is no scope for discursive paradigmatic recurrences. This theoretical question will be elaborated by the discourse analysis of an autobiographical account of Niranjan Bhowmik, a so-called marginalized man, who was ruthlessly categorized as ‘insane’

For detailed discussion, kindly follow hyperlinks (blue-colored titles) 

·         2012. “(Ab-)Norm And The Concept Of Error In Mad (Wo)Men’s Languages” International Conference on Psychology.  Christ University, Bangalore Event Date: Dec 10, 2012 Organization: National Academy Of Psychology.  Download (.pptx)


·         2011. The Psychology of Silence: The Story of Bharat. Diaforia, No. 5, July 2011. Italy. Download.pdf Download (.pdf)

·         2007. জেগে বা ঘুমিয়ে--'ভারতীয়' দর্শনে (Hanging between Sleeping and Waking -- ‘Indian' Philosophy). Tepantar .Vol. V (pp.141-66) Kolkata: Sanhati. Download.pdf Download (.pdf)





FILM: 
পরিচালনা: সুস্মিতা সিংহ. ক্যামেরা: সব্যসাচী বন্দ্যোপাধ্যায়. সম্পাদনা: সুজাতাকুন্ডু. ব্যবস্থাপনা: অমিতাভ সেনগুপ্ত. প্রযোজনা: রূপকলাকেন্দ্র, পশ্চিমবঙ্গ  সরকার 






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